SCARICA Regia : John W. Watch this on 1ChannelMovie.com. Search the history of over 273 billion web pages on the Internet. Marie Liljedahl Swedish Film: Silent Film. Swedish Film 1. 90. In part one of the Swedish Silent Film. The Outlaw and His Wife (Berg Ejvind och hans hustru, 1. Victor Sjostromon screen portays a character that is introduced with an iris out, the previous scene which included secondary characters having concluded with an iris in; he is drinking from an Icelandic stream in medium close shot, the camera then cutting to a wider angle, it photographing him from the waist up to show more of the stream in the background. Almost on action, he then abruptly cuts to a full shot in which the character has reversed the relation of his look to the side of the frame, his then cutting to a longshot as his character leaves the frame. He cuts to a vignette shot of his character facing the opposite direction that he does in the scene, and then to another accompanying a dialouge intertitle so that it is as though the line of dialouge has been delivered in close shot. Throughout the rest of part one Victor Sjostrom carries the story forward, it introducing the woman he will marry in a sidelighted, near over the shoulder, near quarter shot, it being that she hires him for a month and then later makes him steward. While part two begins with establishing shots of the exterior, the horizon line often parallel to the top of the frame line ( a wall is later used to show a vertical division of frame as two lovers meet behind it), there is no interruption of continuity between it and part three, the two not linked by any camera device, but the scene is quickly moved to an interior. In part three she asks him to marry her and he tries to decline while declaring his love for her (Sj. In part four he cuts from a three quarter full shot of his character facing the right of the screen going towards her to embrace her to a shot of both of them in medium shot, her in his arms while he is facing the left of the screen. Rather than using suture between shot reverse shots, he holds the camera on them during the dialouge and concludes it by cutting to a closer angle of his character having lowered his body and putting his head on her stomach. During the dialouge which beings part seven an expository intertitle accompanies his interpolating a shot which would have been included in a previous scene and the shot from part four of his being near to her is repeated, their dialouge during while snowbound then continuing. Photographed by Julius Jaenzon, it is Victor Sjostrom's screenplay , co- written with Swedish screenwriter Sam Ask as the first script that Ask had written, and was adapted from a novel by Johann Sigurjonssonn that had already been brought to the theater. About the film, Einar Lauritzen wrote, . Sjostrom had performed the play in Goteborg that same year. The plawright Johan Sigurjonsson explains that it is built around its two principal characters by writing, . He followed in 1. The Hraun Farm (Bondinn a Hrauni). Before the screening of Victor Sjostrom's film The Outlaw and His Wife, Sigurjonsson also published the play The Wish (Onsket), which was printed in 1. Par Lagerkvist published the essay Modern Theater (Teater) in 1. Ibsen lacked what was needed for then modern audiences. Biography & Memoir; Business & Leadership; Fiction & Literature; Politics & Economy. Par Lagerkvist's play The Secret of Heaven (Himlens hemlighet). Agnes von Krusenstjerna that year published the volume Helenas f. Both star Lars Hanson and co- starring Molander. It had been Mauritz Stiller that had visited Selma Lagerl. Writing about The Sons of Ingmar, Bengt Forslund notes, . Meny Hoppa till inneh.Forslund concludes by writing, . A smashed watch plays a part in Karin Ingmarsdotter. Brunius, Puss and Boots, (Masterkattan i stovlar), starring G. The film was co- witten by John W. It was also the first film in which actress Anna Carlsten was to appear. The following year Skandia merged with Svenska Bio to team Charles Magnusson with Nils Bouveng to run AB Svensk Filmindustri. Mary Johnson also that year appeared in the Swedish silent film Storstadsfaror, directed by Manne G. Appearing with her in the film were Agda Helin, Tekla Sjoblom and Lilly Cronwin. In 1. 91. 8, the first films to be directed by Sidney Franklin, who would later direct Greta Garbo in the silent film. Wild Orchids, appeared in theaters, among them being Bride of Fear (five reels), The Safety Curtain (five reels) with Norma Talmadge, The Forbidden City(five reels) and Her Only Way (six reels), both films also starring Norma Talmadge. That year Fred Niblo, who would later direct Greta Garbo in the silent film The Mysterious Lady as well as Norma Talmadge in Camille (1. The Marriage Ring, Fuss and Feathers (five reels), Happy Though Married (five reels) and When Do We Eat? Director Paul Powell during 1. Rudolph Valentino and Marry Warren for the film All Night (five reels). In 1. 91. 9, Victor Sj. His Lord's Will (1. Olof Sandborg, Barbro Kollberg and Alf Kjellin and scripted by Stina Bergman was directed by Per Lindberg. During 1. 91. 9 the novel God's Orchid, written by Swedish playwright Hjalmar Bergman, would be published, followed in 1. Thy Rod and Thy Staff and in 1. Jac the Clown. Also in 1. Swedish director Ivan Hedqvist directed The Downy Girl. Ett farligt frieri (1. Lars Hanson, Gull Cronvall, Hilda Categren and actress Uno Henning in her first on screen appearance, was directed by the Swedish director Rune Carlsten for Filmindustri Scandia, as was The Bomb (Bomben, Sunshine and Shadow), starring Karin Molander and G. They were the first two of five films directed by Rune Carlsten to be photographed by cinematographer Raoul Reynols. Brunius that year directed the film The Girl of Solbakken (Synnove Solbakken), based on the novel written by Bjornstjerne Bjornson in 1. Brunius having been Einar Bruun. Starring Lars Hanson and. Karin Molander, it was the first film in which the actresses Ellen Dall, Ingrid Sandahland Solveig Hedengran would each appear. The film reunited Sam Ask with John W. Bruinus, their both having co- written the script, as with Masterkatten i stovlar. Tytti Soila, in regard to the editing of the film writes, . Einar Bruun in 1. Surrogatet, with Karin Molander for Filmindustri Scandia, Stockholm. The People of Hemso (Hemsoborna, 1. Carl Barcklind, it starring Einar Hanson, Nils Ahren and Hilma Barcklind, as was the film En un mans vag. Hemsoborna was also photographed by cinematographer Hugo Edlund. Danish Film director Robert Dinesen in 1. Sweden, Jefthas dottar, with Signe Kolthoff, the second having been Odets redskap with Astri Torsell and Clara Schonfeld filmed in 1. Griffith directed The Girl Who Stayed at Home ( 1. Bitzer and starring Robert Harron, Carol Dempster, Richard Barthelmess and Clarine Seymour. He also directed Lillian Gish in True Heart Susie (six reels) with Robert Harron and Kate Bruce. Sidney Franklin in 1. Norma Talmadge, her starring in the six reel film The Heart Of Wetona. Conrad Nagel appeared in his first films, The Lion and the Mouse(Tom Terriss, five reels), Redhead and Little Women (H. Knoles, six reels), with Dorothy Bernard, Isabel Lamon and Lillian Hall. Theda Bara was to appear in A Woman There Was, directed by J. The Swedish poet had published the volume Nya Dikterin in 1. He is the author of historical novel Karolinerna. Sir Arne's Treasure (Herr Arne's pengar 1. Mary Johnson, co- scripted by Molander, continued Sj. The film was photographed by Julius Jaenzon. Ingmar Bergman has said, . And his Atonement of Gosta Berling, too, is a fresh, powerful, vital film. Where Selma Lagerlof and Mauritz Stiller had differred was on adaptation; Stiller perhaps seeing film as more visual, or theatrical, G. Of the film, Robert Payne writes, . About the adaptation of novel to film, Kwiatkowski, in Swedish Film Classics, writes.
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